{"id":7878204293307,"title":"Exquisite Black Lacquer Shrine Cabinet","handle":"exquisite-black-lacquer-shrine-cabinet","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn Exquisite Black Lacquer Shrine Cabinet, commissioned during the Regnal era of Tongzhi Emperor in the year of Dingmao (corresponding to year 1867) during Winter season. Teochew. Museum grade collection. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大神龕。同治時期。(公元一八六七年冬季製作)。潮州。館藏級珍品。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA magnificent Black Lacquer Shrine Cabinet from the Tongzhi Emperor's reign in 1867 stands as a testament to the unmatched artistry of Teochew craftsmen. Commissioned during the winter of that year, this relic was intricately designed to house a revered statue for worship. It boasts over thirty meticulously carved panels and artworks when we slowly explore the details of the antiquity. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e此做工極其精緻的大神龕是潮州家具工藝藝術的頂級代表作。製成於公元同治時期一八六七年冬季。由三十多篇精緻雕花板以嵌入技術加上彩繪裝飾整個神龕,氣勢磅礴。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe exterior is adorned with a graceful phoenix duo, while the bottom panels paint a vivid image of Spring through scenes such as \"春水氾舟\" (depicting high waters with floating boats in Spring) and “山溪釣徒” (illustrating a boatsman beside a mountain stream). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e外面中間部份雕以生動的鳳凰牡丹紋一對,下部繪以春季的景色“春水氾舟”及“山溪釣徒”。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInside, the panels are enriched with masterful paintings, including \"白衣進酒\", a tale of aiding someone in need (Insinuating the importance of charity), and \"淵明賞菊圖\", capturing Tao Yuanming's admiration for chrysanthemums (Emphasis on the passion and love for life). The upper section is a visual delight with carvings: phoenixes with magpies amidst plum blossoms, majestic kirins, red-crowned cranes with pine trees (symbolizing longevity), and ornate vases with blooming flowers accompanied by five bats (signifying prosperity). A pair of dynamically carved dragon carps graces either side of these panels.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e門的背部則繪以白衣進酒(隱喻雪中送炭)及“淵明賞菊圖”(意喻對生命的熱忱)。框欄楣上的楣柵鑲入十片雕藝生動精細的雕花:鳳凰、喜鵲及梅花(喜上眉梢)、麒麟賜福、博古紋、丹頂鶴與松樹(延年益壽)、鰲魚雀替。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the centerpiece of the upper section is the engraved Chinese symbol 囍, representing Double Happiness. Within the shrine's heart, a special place is reserved for placing a statue for worship. The interior is decorated with cinnabar lacquer, beautifully accented with gold-traced phoenix designs crafted from genuine gold leaves. The vibrant red juxtaposes beautifully with the lustrous black lacquer, all gracefully aged over time that we can observe from the beautifully imbued patina.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e內柵楣上部雕以雙喜臨門紋及纏枝紋。內部核心置放佛菩薩像。龕身內部鋪硃砂漆加金箔鳳凰印。鮮紅的漆色與大漆的黑色相互映襯,隨著歲月的沖刷輕輕地敷上一層滄桑的包漿。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis treasured piece from Teochew heritage, not only serves as an emblem of artistry but also as a sanctum for devotion, making it a collector's dream and an enchantment for aficionados of Oriental art and spirituality.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e此神龕是潮州工藝的巔峰代表作,不純粹是世世代代敬拜神明的家具,更是極高藝術造詣的瑰寶。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Dimension: 146W×106D×259H\u003c\/span\u003e","published_at":"2023-09-11T06:02:42-04:00","created_at":"2023-09-11T06:02:42-04:00","vendor":"Lucky Home Collections","type":"","tags":[],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44764702605499,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Exquisite Black Lacquer Shrine Cabinet","public_title":null,"options":["Default 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charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn Exquisite Black Lacquer Shrine Cabinet, commissioned during the Regnal era of Tongzhi Emperor in the year of Dingmao (corresponding to year 1867) during Winter season. Teochew. Museum grade collection. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大神龕。同治時期。(公元一八六七年冬季製作)。潮州。館藏級珍品。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA magnificent Black Lacquer Shrine Cabinet from the Tongzhi Emperor's reign in 1867 stands as a testament to the unmatched artistry of Teochew craftsmen. Commissioned during the winter of that year, this relic was intricately designed to house a revered statue for worship. It boasts over thirty meticulously carved panels and artworks when we slowly explore the details of the antiquity. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e此做工極其精緻的大神龕是潮州家具工藝藝術的頂級代表作。製成於公元同治時期一八六七年冬季。由三十多篇精緻雕花板以嵌入技術加上彩繪裝飾整個神龕,氣勢磅礴。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe exterior is adorned with a graceful phoenix duo, while the bottom panels paint a vivid image of Spring through scenes such as \"春水氾舟\" (depicting high waters with floating boats in Spring) and “山溪釣徒” (illustrating a boatsman beside a mountain stream). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e外面中間部份雕以生動的鳳凰牡丹紋一對,下部繪以春季的景色“春水氾舟”及“山溪釣徒”。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInside, the panels are enriched with masterful paintings, including \"白衣進酒\", a tale of aiding someone in need (Insinuating the importance of charity), and \"淵明賞菊圖\", capturing Tao Yuanming's admiration for chrysanthemums (Emphasis on the passion and love for life). The upper section is a visual delight with carvings: phoenixes with magpies amidst plum blossoms, majestic kirins, red-crowned cranes with pine trees (symbolizing longevity), and ornate vases with blooming flowers accompanied by five bats (signifying prosperity). A pair of dynamically carved dragon carps graces either side of these panels.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e門的背部則繪以白衣進酒(隱喻雪中送炭)及“淵明賞菊圖”(意喻對生命的熱忱)。框欄楣上的楣柵鑲入十片雕藝生動精細的雕花:鳳凰、喜鵲及梅花(喜上眉梢)、麒麟賜福、博古紋、丹頂鶴與松樹(延年益壽)、鰲魚雀替。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the centerpiece of the upper section is the engraved Chinese symbol 囍, representing Double Happiness. Within the shrine's heart, a special place is reserved for placing a statue for worship. The interior is decorated with cinnabar lacquer, beautifully accented with gold-traced phoenix designs crafted from genuine gold leaves. The vibrant red juxtaposes beautifully with the lustrous black lacquer, all gracefully aged over time that we can observe from the beautifully imbued patina.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e內柵楣上部雕以雙喜臨門紋及纏枝紋。內部核心置放佛菩薩像。龕身內部鋪硃砂漆加金箔鳳凰印。鮮紅的漆色與大漆的黑色相互映襯,隨著歲月的沖刷輕輕地敷上一層滄桑的包漿。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis treasured piece from Teochew heritage, not only serves as an emblem of artistry but also as a sanctum for devotion, making it a collector's dream and an enchantment for aficionados of Oriental art and spirituality.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e此神龕是潮州工藝的巔峰代表作,不純粹是世世代代敬拜神明的家具,更是極高藝術造詣的瑰寶。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Dimension: 146W×106D×259H\u003c\/span\u003e"}

Exquisite Black Lacquer Shrine Cabinet

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An Exquisite Black Lacquer Shrine Cabinet, commissioned during the Regnal era of Tongzhi Emperor in the year of Dingmao (corresponding to year 1867) during Winter season. Teochew. Museum grade collection.

大神龕。同治時期。(公元一八六七年冬季製作)。潮州。館藏級珍品。

A magnificent Black Lacquer Shrine Cabinet from the Tongzhi Emperor's reign in 1867 stands as a testament to the unmatched artistry of Teochew craftsmen. Commissioned during the winter of that year, this relic was intricately designed to house a revered statue for worship. It boasts over thirty meticulously carved panels and artworks when we slowly explore the details of the antiquity.

此做工極其精緻的大神龕是潮州家具工藝藝術的頂級代表作。製成於公元同治時期一八六七年冬季。由三十多篇精緻雕花板以嵌入技術加上彩繪裝飾整個神龕,氣勢磅礴。

The exterior is adorned with a graceful phoenix duo, while the bottom panels paint a vivid image of Spring through scenes such as "春水氾舟" (depicting high waters with floating boats in Spring) and “山溪釣徒” (illustrating a boatsman beside a mountain stream).

外面中間部份雕以生動的鳳凰牡丹紋一對,下部繪以春季的景色“春水氾舟”及“山溪釣徒”。

Inside, the panels are enriched with masterful paintings, including "白衣進酒", a tale of aiding someone in need (Insinuating the importance of charity), and "淵明賞菊圖", capturing Tao Yuanming's admiration for chrysanthemums (Emphasis on the passion and love for life). The upper section is a visual delight with carvings: phoenixes with magpies amidst plum blossoms, majestic kirins, red-crowned cranes with pine trees (symbolizing longevity), and ornate vases with blooming flowers accompanied by five bats (signifying prosperity). A pair of dynamically carved dragon carps graces either side of these panels.

門的背部則繪以白衣進酒(隱喻雪中送炭)及“淵明賞菊圖”(意喻對生命的熱忱)。框欄楣上的楣柵鑲入十片雕藝生動精細的雕花:鳳凰、喜鵲及梅花(喜上眉梢)、麒麟賜福、博古紋、丹頂鶴與松樹(延年益壽)、鰲魚雀替。

At the centerpiece of the upper section is the engraved Chinese symbol 囍, representing Double Happiness. Within the shrine's heart, a special place is reserved for placing a statue for worship. The interior is decorated with cinnabar lacquer, beautifully accented with gold-traced phoenix designs crafted from genuine gold leaves. The vibrant red juxtaposes beautifully with the lustrous black lacquer, all gracefully aged over time that we can observe from the beautifully imbued patina.

內柵楣上部雕以雙喜臨門紋及纏枝紋。內部核心置放佛菩薩像。龕身內部鋪硃砂漆加金箔鳳凰印。鮮紅的漆色與大漆的黑色相互映襯,隨著歲月的沖刷輕輕地敷上一層滄桑的包漿。

This treasured piece from Teochew heritage, not only serves as an emblem of artistry but also as a sanctum for devotion, making it a collector's dream and an enchantment for aficionados of Oriental art and spirituality.

此神龕是潮州工藝的巔峰代表作,不純粹是世世代代敬拜神明的家具,更是極高藝術造詣的瑰寶。

 Dimension: 146W×106D×259H